Acoustic Guitar Saddle Compensation Patterns
B Compensated SaddleFor this type, the saddle is compensated so that there is a slot for the B string so that it sits further away from the saddle than where the other strings rest. Notably, Taylor and Gibson often use B compensated saddles.
B Compensated with Slanted BassSimilar to a B compensated saddle in that a slot for the B string appears, but a progressive slant appears for the wound strings to sit further away from the soundhole. For example, Alvarez, Guild, and Yamaha often use this type of saddle.
Fully Compensated SaddleAlso known as ‘step compensated’, a fully compensated saddle is similar to a B compensated saddle. However, whereas a B compensated saddle only has one compensated slot for the B string, a fully compensated saddle has five distinct slots – one for the treble E, one for the B, one for both the G and D, one for the A, and one for the bass E. Notably, Greg Bennett, Emerald, and older Seagull guitars often use fully compensated saddles.
Wave Compensation SaddleWave compensation saddles have a wavelike appearance. This acoustic guitar saddle compensation pattern often includes compensation both for the B string and for the wound strings. Several notable manufacturers use wave compensation saddles. For instance, Martin and Taylor guitars models often use wave compensation saddles.
Zig Zag Compensation
A zig zag, or lightning, compensated saddle will have one angle for the treble E and B strings, and a second angle for the wound strings. Newer Godin and Seagull Guitars often have saddles with this compensation pattern.
Which Compensation Pattern is the Best?
No universal ‘best’ compensation pattern exists because there are a number of factors involved. Typically, you should use the same compensation pattern that the manufacturer used – please see our Acoustic Guitar Saddle Size Chart for more information. However, you might want to use a different acoustic guitar saddle compensation pattern, such as if you use alternate tunings.